English

Exhibition app for the traveling exhibition „Inclusion in sight“ can be downloaded here free of charge:

 

Instructions for the exhibition app for “Inclusion in sight:

Anleitung Inklusion im Blick iOS + Android

Germany’s first inclusive traveling exhibition 2018 – 2022

Dates: traveling exhibition „Inclusion in sight“

  1. Erfurt –  Thuringian State Parliament             from 10.12.2018 to 13.01.2019
  2. Eisenach                                                           from 19.02.2019 to 13.03.2019
  3. Gera                                                                   from 06.05.2019 to 31.05.2019
  4. Sömmerda                                                     from 03.07.2019 to 02.08.2019
  5. Berlin –  House of Representatives of Berlin from 08.08.2019 to 27.08.2019
  6. Suhl – Town Hall of the City of Suhl from 01.10.2019 to 24.10.2019 
  7. Berlin – SoVD Landesverband BB e.V.  from 15.10.2019 to 31.08.2020
  8. Berlin – State Office for Health and Social Affairs from 17.02 2020 to 31.08 2020
  9. District Office Saale-Orla District from 8. 07.2020 to 28.08.2020
  10. Mainz Inclusive 2020 Digital on September 10, 2020 – and September 11, 2020
  11. FöBi Education Center Multipurpose Hall Gotha from September 29th – October 9th
  12. District Office Saale-Orla District  from March 23, 2021 – June 17, 2021
  13. Leipzig – CENTRAL GERMAN BROADCASTING from October 25, 2021 – November 2, 2021
  14. Mainz – State Parliament of Rhineland-Palatinate from 04 November 2021 – 25 November 2021
  15. Cologne – club 68 cologne – from July 15, 2022 – August 5, 2022 Association for disabled and non-disabled people e.V.
  16. BTHG Regional Conference on 17 October 2022 – and 18 October 2022    DIGITAL Regional Conference on the Implementation of BTHG Berlin
  17. Berlin – “Inclusion Days of the BMAS” on 8 May 2023 and 9 May 2023 Inclusion Days of the Federal Ministry of Labour and Social Affairs
  18. Bonn – German Society for International from 13 May 2024 – 29 May 2024 Cooperation (GIZ) GmbH
  19. Berlin – Kleisthaus – Office of the Federal from 19 July 2024 – 06 September 2024 Government Commissioner for the Affairs of Persons with Disabilities, Mr. Jürgen Dusel
  20. Austrian Trade Union Federation (ÖGB) Opening on December 3, 2024 – (in planning) International Day for Persons with Disabilities
  21. Berlin – German Parliament – ​​German Bundestag Mai 2025 (in planning)

traveling exhibition 

    „Inclusion in sight“

 Experience art with all your senses!

Art for human rights

Art for participation

Foreword by Social thinkers e. V. to the traveling exhibition Inclusion in view

This travelling exhibition thematically enters new territory in Germany.

Ten years after the ratification of the UN Convention on the rights of persons with disabilities (UN-BRK), inclusive society is more a vision than reality. It is not just stumbling blocks but an  invisible barrier in the minds of disabled and non-disabled people that separates them.

With its pictures and exhibits, the exhibition „inclusion in view“ aims to break down these barriers and to contribute to raising awareness in the sense of the UN BRK.

At the beginning of the sixties, one of the biggest drug scandals shook the Federal Republic of Germany: far beyond 2000 children were born with missing or malformed limbs. Responsible for this is the drug Contergan, which was recommended as harmless and safe especially for women during pregnancy.

From childhood on, the victims of Contergan have to get used to more or less stealthy and bashful looks. Half a century after the scandal, twelve people deliberately chose to expose their bodies to these looks. Director Niko von Glasow calls the protagonists of his film „NoBody’s Perfect“ “ the brave „.

He portrays people who have made their way despite their handicap and he invites to have a look, neither shy nor stealthy. His pictures give a clear view of life-affirming people, slim and corpulent, athletic and petite, introverted and extroverted. The aesthetic portraits reflect in a fascinating way the message of the film: the person is in the foreground and not the disability.

Niko von Glasow’s paintings tear down the invisible barrier between the viewers and the viewed. They create closeness. „NoBody’s Perfect“ – to whom doesn’t it apply?
„Art knows no disability“ – this thesis of Aktion Mensch is proven in the second part of the exhibition. At the centre of the artworks is the human being in the centre of society. Artists who experience barriers in their everyday reality have presented their view on the topic. The images reflect social restrictions.

The different artistic statements tell the viewer of an everyday life full of obstacles and the compulsion to overcome hurdles. The exhibition broadens the view to the topic of the environment and the vulnerability of „all“ through careless handling of nature and resources.

Our travelling exhibition is designed both in terms of content and design to clarify awareness in accordance with Article 8, accessibility in accordance with Article 9, as an educational mission in accordance with Article 24 and participation in cultural life as well as in recreation, leisure and sports in accordance with Article 30 of the UN BRK.

„Inclusion in View“ creates a framework of experience so that the legally defined cultural mission in the National Action Plan (NAP 2.0) can be used for EVERYONE. „Inclusion in View“ reinforces the need for the qualification of specialists in training and studies in the field of accessibility. So that art can be experienced by everyone.

It implements the target agreement that disability associations have contractually concluded with the German Museum Association, which was to be co-designed by the federal government in NAP 2.0 and the 16th federal states through their action plans, as a social mandate.

Social thinkers e. V.

Exhibits

Bildbeschreibung: Ein Mensch sieht dem Betrachter entgegen. Die Merkmale seines Gesichts verwirren. Mann oder Frau? Unter einem Hut mit breiter Krempe blicken drei Augen, davon zwei umschattet ausdruckslos in die Ferne. Blonde Strähnen verbergen die rechte Seite des Gesichts. Üppige Lippen signalisieren Weiblichkeit. Der darüber liegende Schnurrbart verhindert die eindeutige Zuordnung. Im Hintergrund sieht man Balken und Teile eines Fensters. Ein kleiner Zweig mit grünen Blättern scheint aus einem Balken zuwachsen. Das Bild zeigt eine Mischung menschlicher Charakteristika, die Raum für Interpretationen lässt.
Title: Cover picture- Inclusion
in View

Artist:    Marko Berg

Format:      70 x 55 cm

Technique:  image on canvas

Note:    Palpable Art

Image Description:

A person looks towards the viewer. The features of his face are confusing. Man or woman? Under a hat with a wide brim, three eyes look  into the distance, while two of them are shady expressionless. Blonde strands are hiding the right side of the face. Full lips signal femininity. The mustache above prevents a clear assignment. In the background you can see bars and parts of a window. A small branch with green leaves seems to grow out of a beam. The picture shows a mixture of human characteristics that leaves room for interpretation.

Bildbeschreibung: Sperrholz weiß mattiert, Rechtwinklige Schachteln sind über, neben, untereinander gestapelt. Sie stehen, liegen, teils ineinander geschoben, auf Kante. Kann man auf diesem Grat wandern?
Title: Balancing Act

Artist:      Herbert Höcky

Format (approx):  L: 360 x B: 240 x H:  320 cm 

Technique: Wood, paint, glue, 2013

Note: Tactile art

Image description: plywood, matt white,

Right-angled boxes are stacked above, next and underneath of each other. They stand, lie, partly pushed into each other, edge to edge. Can you balance on this ridge?

BARRIEREN IM KOPF Jede Stufe ist ein Hindernis, jede Treppe eine Absperrung. Die größte Behinderung entsteht allerdings durch selbst geprägte Barrieren im Kopf. Ignoranz und Intoleranz, vermischt mit Eitelkeit und Geltungssucht, bilden das Bollwerk für Ausgrenzung und Ungerechtigkeit. Gerne werden beeindruckende Reden geschwungen und unzählige Gesetze entworfen, doch folgen darauf Daten, die dem Fortschritt des Menschen dienen?  Zerstören Pragmatismus und der Glaube an Alternativlosigkeit die zentralen Begriffe der Solidarität, GEMEINSCHAFT UND INKLUSION? Durch den Bau immer imposanterer Leuchttürme tragen Politiker, Verwalter, Kulturexperten, Planer, Architekten und Unternehmer  meist dazu bei, Geldbörsen zu füllen und Egos zu massieren. Doch wird der Gedanke einer breiten gesellschaftlichen Teilhabe dabei wirklich wahrgenommen oder nur als notwendiges Übel gehandhabt? Überschattet äußerer Glanz nicht zunehmend das Mandat innerer Werte? Und wie steht es mit der traditionellen Idealen der Aufklärung und des Humanismus? Wie frei darf und kann der Mensch in seinen Gefängnispalästen wirklich sein?  Beeinträchtigt durch Barrieren im Kopf wir er niemals seine Freiheit erlangen, denn gnadenlose Stufen und Treppen behindert nicht nur den Körper, SIE BLOCKIEREN AUCH DIE WAHRNEHMUNG UND DAS DENKEN.
Title: in the head

Artist:            Christoph Noebel

Format:              106,3 x 76,5 cm

Beschriftung:    assembled texts, 2013

Note:               Video in sign language

Image Description: black lettering on white background with the following lettering

BARRIERS IN THE MIND each step is an obstacle, each staircase a barrier. However, the greatest obstacle arises from self – imposed barriers in the mind. Ignorance and intolerance, mixed with vanity and self-assertion, form the bulwark of exclusion and injustice. Impressive speeches are often made and countless laws are drafted, but do data that serve the progress of people follow? Do pragmatism and the belief in lack of alternatives destroy the central concepts of solidarity, community and inclusion?

By building even more imposing lighthouses, politicians, administrators, cultural experts, planners, architects and entrepreneurs usually contribute to filling wallets and flattering egos. But is the idea of broad social participation really perceived or is it only treated as a inevitable evil? Does not external splendour increasingly overshadow the mandate of inner values? And what about the traditional ideals of enlightenment and Humanism? How free may and can a person really be in their prison palaces? Affected by barriers in the mind, they will never attain their freedom, because merciless steps and stairs not only obstruct the body, THEY ALSO BLOCK THE PERCEPTION AND THE THINKING.©

Video in German sign language:

Title: UN BRK article 8
– awareness-raising

Artist:        Christoph Noebel

Format:  106,3 x 76,5 cm

Caption:  compiled texts

Note:        Video in sign language

Image description: black lettering on white background with the following lettering

CONVENTION

on the rights of persons with disabilities

of 13.12.2006, resolution 61/106 of the UN General Assembly. Entered into force on 03.05.2008

ARTICLE 8 RAISING AWARENESS

Contracting states commit themselves to take immediate, effective and appropriate measures:

BEWUSSTSEINSBILDUNG

(1) Contracting states commit themselves to take immediate, effective and appropriate measures:

a) to raise awareness of people with disabilities and promote respect for their rights and dignity throughout society, including on the level of families;

b)    To combat stereotypes, prejudices and harmful practices against people with disabilities, including on the basis of gender or age, in all areas of life;

c)    to encourage awareness of the skills and contribution of people with disabilities.

(2) Such measures shall include:

a) the initiation and permanent implementation of effective public awareness campaigns with the aim of,

i) the openness to increase the rights of people with disabilities;

ii) promote a positive perception of people with disabilities and a greater social awareness towards them;

iii) to promote the recognition of the skills, merits and abilities of persons with disabilities and their contribution to the world of work and the labour market;

b) encouraging a respectful attitude towards the rights of persons with disabilities at all levels of the education system, including all children from early childhood on;

c) the invitation to all media bodies to present persons with disabilities in a manner consistent with the purpose of this convention;

d) the encouragement of training programmes to raise awareness of people with disabilities and their rights.

Video in German sign language

Bildbeschreibung: Papier gerahmt hinter Glas ; Piktogramme in Würfelform - Abbildungen: weiblich, männlich, Rollstuhlnutzer, Kinderwagen, schwarz, weiß, geordnet, ungeordnet, in einer Formation und doch unterschiedlich, gleich oder ungleich?
Title: Different different

Artist:   Molly Noebel

Format:     76,5 x 106,3 cm

Technique:   Collage, 2013

Note:  Tactile art

Image description: Pictograms in cube form-pictures

female, male, wheelchair user, stroller, black, white, ordered, disordered, in formation and yet different, equal or un-equal?

Bildbeschreibung: Papier gerahmt hinter Glas ; Aus 16 Teilbildern setzt sich dieses Bild zusammen. An  Mauern aus Steinen (Klinkersteine) die teilweise unvollständig sind stehen angelehnt Leitern. Die Sprossen der Leitern haben unterschiedliche Abstände. Sprossen fehlen. „Rauf auf die Leiter!“ Verkennt dieser Befehl die Wirklichkeit?
Title: „Up Onto The Ladder!“

Artist:   Christoph Noebel

Format:     76,5 x 106,3 cm

Technique:  Digitalcollage,  2013

Note:   Tactile art

Image description: Paper framed behind glass

This picture is made up of 16 partial pictures. Ladders are leaning against walls of stones (clinker stones) which are partly incomplete. The rungs of the ladders have different distances. Rungs are missing. „Up onto the ladder!“ Does this command ignore reality?

Ein flaches Stück Metall gewinkelt einer Eule nachempfunden. Auf Metallstäbe geschweißt, krallt sich die Eule auf einem Holzklotz fest. Im bearbeiteten Holzklotz ist eine Höhlenöffnung. Alles steht auf einem dickeren Metallstab, eingefügt in eine runde Bodenplatte aus Metall. Diese Skulptur ist aus Materialen gefertigt, die sorglos weggeworfen wurden.
Title: Andalusian Owl

Artist:        Volker Wagner – MoreArt

Format (approx):  93 x 20  cm

Technique: Sculpture metal and wood, 2001

note: tactile art

Image description: sculpture made of metal and Wood

A flat piece of metal angled recreated of an owl. Welded on metal rods, the owl claws itself on a wooden block. In the processed wood block is a cave opening. Everything is placed on a thicker metal rod, inserted into a round metal base plate. This sculpture is made of materials which were thrown away carelessly.

Bildbeschreibung: Auf Leinwand, bestehend aus zwei Bildteilen. Aus kleinsten Teilen Plastikmüll, formt sich eine Qualle mit weißem Schirm. Sie hat viele lange, rote Fäden (Tentakel). Ist sie wirklich schön und vollkommen, oder gefährlich, für wen?
Title: Dangerous Beaoty

Artists: Daria & Sarah Nonn  – Anders Art

Format (ca.):      220  x 100 cm

Technique: Picture, canvas , consisting of two partial, 2015                                                              

Note:               Palpable Art

Image description:  On canvas, consisting of two parts of the picture

The smallest parts of plastic waste form a jellyfish with a white umbrella. It has many long, red threads (tentacles). Is she really beautiful and perfect, or dangerous, for whom?

Photographs of the movie „NoBody’s Perfect“

The pictures in the exhibition are taken from the movie „NoBody’s Perfect“ by the director Niko von Glasow, who was injured by Contergan. The sleep aid and sedative Contergan was especially recommended to pregnant women in the Sixties. The consumption caused different damages to their children. In the movie, the generation of adults show their bodies.

Further information about the film and the book „NoBody’s Perfect“:            Nobodysperfect-the film.de and the book

Schwerelos - lächelnd blickt eine Frau in die Kamera. Ein Bild voller Kontraste. Vor schwarzem Hintergrund bedeckt ihr rotes langes Haar Ihren Körper bis zur Hüfte. Lässig streckt Sie ein Bein aus - das andere ist angewinkelt. Ihr kleiner Arm ruht auf dem Knie. Über ihr schweben farbige Tücher.
Title: The Brave – Sigrid Kwella,
from the movie NoBody‘s Perfect

Artist:   Niko von Glasow

Format :     100 x 75 cm

Technique: Photo, 2008

Image description: Forex, stable wooden board

Weightless – a woman looks smiling into the camera. A picture full of contrasts. Against a black background, her red long hair covers her body up to the hip. She casually stretches out one leg – the other is bent. Her little arm rests on her knee. Coloured cloths float above her.

Ein Lebenskünstler wohlbeleibt lächelt in die Kamera. Ein kleiner Sessel umfängt ihn. Seine verkürzten Armen und Beine reichen nicht über die Lehnen hinaus. Bunte, gefaltete Papierschwäne in allen Größen lockern den dunklen Hintergrund auf.
Title: The Brave – Stefan Fricke,
from the movie NoBody‘s Perfect

Artist:   Niko von Glasow

Format :     100 x 75 cm

Technique: Photo, 2008

Image description: Forex, stable wooden board

Format :     100 x 75 cm

A bon vivant smiles into the camera. A small armchair surrounds him.
His shortened arms and legs do not extend beyond the backs. Colorful, folded paper swans in all sizes loosen up the dark background.

Hinter gekreuzten Beinen verbirgt sich der Körper einer anmutigen Frau. Sie sitzt auf einem Hocker. Ihr Blick geht in die Ferne. Ein schweres Collier lenkt den Blick des Betrachters weg von ihren fehlenden Armen. Dunkelblonde Haare umspielen ein zartes Gesicht. Mit den Zehen balanciert sie ein gefülltes Rotweinglas. Vor einem dunklen Hintergrund kniet ein Engel, der ihr
Title The Brave – Doris Pakendorf,
from the movie NoBody‘s Perfect

Artist:   Niko von Glasow

Technique: Photo, 2008

Image description: Forex, stable wooden board

Behind crossed legs hides the body of a graceful woman. She sits on a stool. Her gaze goes into the distance. A heavy necklace directs the viewer’s gaze away from her missing arms. Dark blonde hair surrounds a delicate face. With her toes she balances a glass filled with red wine. Against a dark background, an angel kneels to drink a toast to her.

Ein unbekleideter Mann im Aufbruch: Seine linke gekrümmte Hand fasst den Griff eines altmodischen Koffers. Mit dem rechten verkürzten Arm schwingt er einen Tennisschläger. Er lacht unternehmungslustig zurück zur Kamera. Sein Schritt richtet sich dem dunklen Hintergrund entgegen.
Title: The Brave – Fred Dove,
from the movie NoBody‘s Perfect

Artist:   Niko von Glasow

Format :     100 x 75 cm

Technique: Photo, 2008

Image description: Forex, stable wooden board

Image description: sturdy wooden board.
An undressed man on the move: his left curved hand grasps the handle of an old-fashioned suitcase. With the right shortened arm he swings a tennis racket. He laughs enterprisingly into the camera. His step is directed into the dark background.

Geheimnisvoll - hinter einem fast durchsichtigen Schleier erkennt man eine Frauengestalt, schlank, groß mit einem verführerischen Seitenblick. Der Schleier gibt den Blick frei auf einen wohlgeformten Busen. Fast schwebend erscheint ihre Figur vor dem dunklen Hintergrund.
Title: The Brave – Petra Uttenweiler,
from the movie NoBody‘s Perfect

Artist:   Niko von Glasow

Format :     100 x 75 cm

Technique: Photo, 2008

Image description: Forex, stable wooden board

Mysterious – behind an almost transparent veil you can see a female figure, slim, tall with a seductive side glance. The veil reveals the view of a well-formed bosom. Her figure appears almost floating against the dark background.

Auf einem altmodischen mit dunklem Leder gepolsterten Stuhl sitzt ein nackter Mann. Der Körper dreht sich der Kamera zu und erlaubt den Blick auf verkürzte Arme und Beine. Der Mann lacht dem Betrachter entgegen. Sein offenes, lebendiges Gesicht steht im Kontrast zu einem Totenschädel, der auf einem Tischchen liegt. Vor dem dunklen Hintergrund erzeugen die Gegensätze eine starke Spannung.
Title: The Brave – Andreas Meyer,
from the movie NoBody‘s Perfect

Artist:   Niko von Glasow

Format :     100 x 75 cm

Technique: Photo, 2008

Image description: Forex, stable wooden board

On an old-fashioned chair upholstered in dark leather sits a naked man. The body turns towards the camera and allows the view of shortened arms and legs. The man laughs at the viewer. His open, lively face contrasts with a skull lying on a small table. Against the dark background, the opposites create a strong tension.

Bildbeschreibung: Blonde Engelslocken umrahmen ein ebenmäßiges Gesicht. Der Stuhl erscheint fast zu groß für die zarte nackte Frau. Das Foto eines uniformierten Mannes verbirgt ihren schmalen Körper. Ihre verkürzten Glieder entziehen sich dem Blick der Kamera. Ihre helle Haut leuchtet vor dunklem Hintergrund.
Title: The Brave – Kim Morton,
from the movie NoBody‘s Perfect

Artist:   Niko von Glasow

Format :     100 x 75 cm

Technique: Photo, 2008

Image description: Forex, stable wooden board

blonde angel curls frame an even face. The chair seems almost too big for the delicate naked woman. The photo of a uniformed man hides her slim body.
Her shortened limbs elude the camera’s gaze. Her light skin glows against a dark background.

Bildbeschreibung: Halb verborgen hinter einem blühenden Rosenstrauch blickt ein unbekleideter Mann in die Kamera. Seine kräftige Figur steht in Kontrast zu den zarten Rosenblättern, die ihn umgeben. Sie scheinen um ihn herum zu schweben und bedecken den dunklen Boden und Hintergrund. Sein sichtbarer Arm ist verkürzt und gekrümmt.
Title: The Brave – Theo Zavelberg,
from the movie NoBody‘s Perfect

Artist:   Niko von Glasow

Format :     100 x 75 cm

Technique: Photo, 2008

Image description: Forex, stable wooden board

half hidden behind a flowering rose bush, an undressed man looks into the camera. His strong figure contrasts with the delicate rose petals that surround him. They seem to float around him, covering the dark ground and background. His visible Arm is shortened and curved.

Bildbeschreibung: Fast abwehrend blickt eine zierliche Nackte seitlich zur Kamera. Die blonde Haarmähne verbirgt teilweise ihr Gesicht. Ihre linke Seite offenbart dem Betrachter einen schlanken Körper mit einem verkürzten Arm. Im Hintergrund ragt ein riesiger Rappe ins Bild. Seine Konturen verschwimmen mit dem dunklen Hintergrund.
Title: The Brave – Bianca Vogel,
from the movie NoBody‘s Perfect

Artist:   Niko von Glasow

Format :     100 x 75 cm

Technique: Photo, 2008

Image description: Forex, stable wooden board

almost defensively, a petite naked looks sideways at the camera. The blonde hair mane partially hides her face. Her left side reveals to the viewer a slender body with a shortened Arm. In the background, a huge black horse protrudes into the picture. Its contours blur with the dark background.

Bildbeschreibung: Stolz blickt der nackte Vater auf den bekleideten Sohn. Der Sohn trägt hellblaue Hose und Weste und ein weißes Hemd. Lächelnd lenkt er den Blick mit dem Zeigefinger zum Geschlechtsteil seines Vaters.  Lächelnd amüsiert blickt sein Vater nach unten. Seine beiden Arme sind verkürzt und seine Finger kaum sichtbar. Vor dem dunklen Hintergrund offenbart das Bild eine harmonische Vater-Sohn Beziehung.
Title: The Brave – Niko von Glasow
and son Sohn Madel from the
movie NoBody‘s Perfect

Artist:   Niko von Glasow

Format :     100 x 75 cm

Technique: Photo, 2008

Image description: Forex, stable wooden board

The naked father looks proudly at the clothed son. The son wears light blue trousers and vest and a white shirt. Smiling, he directs his gaze with his index finger to the genitals of his father. Smiling amused, his father looks down. His two arms are shortened and his fingers barely visible. Against the dark background, the picture reveals a harmonious father-son relationship.

Bildbeschreibung: Lebensfreude pur zeigt das Bild einer schlanken nackten Frau. Jauchzend scheint sie zu schweben. Die Füße haben die Bodenhaftung verloren. Lachen überstrahlt ihr Gesicht. Ihr verkürzter Arm reckt sich freudig nach oben. Alles an ihr, auch ihr wohlgeformter Busen scheint schwerelos. Zu ihren Füßen liegt eine riesige Meeresmuschel, deren zartrosa Perlmutt dem schwarzen Hintergrund entgegensteht.
Title: The Brave – Sofia Plich,
from the movie NoBody‘s Perfect

Artist:   Niko von Glasow

Format :     100 x 75 cm

Technique: Photo, 2008

Image description: Forex, stable wooden board

Pure joie de vivre shows the image of a slender naked woman. She seems to be jubilant. The feet have lost the contact to the ground. Laughing outshines her face. Her shortened Arm stretches up joyfully. Everything about her, even her shapely bosom seems weightless. At her feet lies a huge sea shell, whose delicate pink mother-of-pearl opposes the black background.

Bildbeschreibung: Nackt wie eine griechische Statue steht ein Mann vor dunklem Hintergrund. Neben seinem Gesicht hält er mit seinen verkürzten Armen eine Maske fest. Die Maske wirkt ausdruckslos- der Blick des Mannes dagegen entschlossen.
Title: The Brave – Mat Fraser,
from the movie NoBody‘s Perfect

Artist:   Niko von Glasow

Format :     100 x 75 cm

Technique: Photo, 2008

Image description: Forex, stable wooden board

Naked like a Greek Statue, a man stands against a dark background. Next to his face, he holds a mask with his shortened arms. The mask seems expressionless – the man’s gaze, however, determined.

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